🎬 Films are made up of sequences, scenes, and shots.
✂️ Editing choices involve what to show, when to cut, and what to cut to.
🔀 Different ways to cut within a scene include cutaways and focusing on character perspectives.
👁️ An eyeline match is when the editor cuts to the object of a character's attention.
🎬 Shot reverse shot is a common form of eyeline match where shots of two subjects are cut between, often in conversation scenes.
🔍 Inserts are shots of details within a scene that emphasize specific props or elements.
🎬 Cross-cutting is a technique where an editor cuts between two or more scenes happening in different locations.
⚔️ Cross-cutting can be used to combine multi-layered action and create parallels between separate scenes.
👁️ Itrace is a technique that keeps the audience's attention fixed on a specific part of the frame.
🎥 Using composition and editing techniques like eye trace, editors can guide the viewer's attention in action scenes.
✂️ Split edits, like j cuts and l cuts, help to smooth transitions by syncing audio and video in a sequence.
🔊 J cuts involve playing audio before showing the corresponding shot, while L cuts involve showing the shot before playing the audio.
🎬 Using L and J cuts during dialogue scenes allows editors to create a natural conversation and control the rhythm of dialogue.
🔒 L cuts can be used to show security measures or plans in films, making them more clear to the audience.
🖼️ Intellectual montage combines unrelated images to create a certain feeling or idea.
🎥 Juxtaposition is used to create different meanings and emotions in scenes.
🌍 Intellectual montage emphasizes the global scale of an impending disaster.
✂️ Cutting on action creates seamless transitions between shots.
🎬 Cutting on action creates smoother and more natural cuts in fight scenes.
👊 Cutting on impact adds extra force to punches and kicks in fight sequences.
💥 Director Lana Wachowski uses cutting on action to maintain pace and create an epic feeling in the fight scene.
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