ποΈ The Metropolitan Museum of Art has an iconic display of tall Bish poles from the Asmat region of New Guinea.
π The Bish poles were used in ritual ceremonies to assist the spirits of recently deceased people in safely departing to the realm associated with ancestors.
βοΈ These ceremonies aimed to bring the community together and restore balance after the deaths of leaders and individuals.
π³ The Bis Poles at The Metropolitan Museum of Art were carved by master carvers using mangrove tree trunks.
π The carvers worked in isolation to complete the intricate carvings, with the initial blocking out happening in the main house of the village.
πͺ The mangrove trees were felled in the swamp and welcomed into the village as if they were slain enemies before being carved.
π³ The trees in the village are treated as sacred beings and represent fallen warriors.
π£ The poles have three zones: a structural form at the bottom, figures in the middle, and a male principal or face at the top.
π The pole ceremony is a way for the community to come together, retell their histories, and strengthen their ties with neighboring groups.
π³ The Bis Poles at The Metropolitan Museum of Art represent a reciprocal relationship between the community and nature, ensuring future prosperity.
πΏ The poles are carved with SEO Beetles, symbolizing the balance between male and female principles.
π The carving of the poles is most elaborate at the top, showcasing exceptional craftsmanship.
π³ The carvings at The Metropolitan Museum of Art depict human figures and bird forms, representing the analogy of a man as a tree.
π¦ The iconography in the carvings relates to head hunting, with references to birds like hornbills and flying foxes.
πͺ The human figures in the carvings are muscular and strong, representing successful warriors.
π₯ The red color of the Bis poles connotes spiritual power and is used to highlight scarification.
β« The black color of the poles is made from charcoal and is used to highlight distinctive features, especially in the head and face.
πΆ Some poles feature a bottommost part that resembles a canoe, symbolizing the spiritual passage of ancestors.
π‘ Bis poles at The Metropolitan Museum of Art are not static artworks but dynamic means of enabling transition across boundaries.
π They serve as a threshold between the land of the living and the Land of the Dead.